GTA V exceeded sales forecasts and set sales records straight out of the gate. It’s a snowball effect, and with it coming to next gen, there’s no sign this snowball will stop soon.” “It’s become The Game people buy when they get a new PS4 or Xbox One,” Zack Zwiezen, who covers GTA for Kotaku, says via direct message, adding, “All your friends and family have it and play it, so you should too. But for gaming’s great multigenerational juggernaut, which will be rereleased on the PS5 and Xbox Series X/S next holiday season, the launch of new hardware just means more revenue to come. And by some metrics, Rockstar Games’ golden goose is more popular than ever.įor most older games, the industry’s changeover to a new crop of consoles spells obsolescence. It’s already arguably the second-bestselling game of all time (not counting multiple publishers’ versions of Tetris), trailing only the continuously updated Minecraft, which came out in full almost two years before GTA V and is available on many more platforms, including low-priced mobile editions. But GTA V and its multiplayer component, Grand Theft Auto Online-which appeared on PS4 and Xbox One in November 2014 and on PC in April 2015-are still fresh in many millions of minds. It came out first for PS3 and Xbox 360 in September 2013, seven years and seven mainline Assassin’s Creed games ago. For me, GTA V feels like a distant memory-not just a relic of the PS4/Xbox One console generation that was eclipsed last week, but the generation before that.
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There is also a new UV Transform tool, for moving, rotating, scaling or distorting UV islands, shown in the video above and a new UV ruler display. The texture view has been migrated to OpenGL, which should improve interactivity and anti-aliasing of UV lines and snapping has been introduced for UV points and edges. The update doesn’t bring major changes to Cinema 4D’s UV toolset – a cause of complaint in the previous release – although version 21 is described as “lay the groundwork for future UV enhancements”. UVs: a new UV Transform tool and UV snapping, but no major changes When meshing a volume, it is also now possible to generate a curvature map from the resulting surface, which can be used to drive effects created with Cinema 4D’s MoGraph and Fields toolsets. The volume modelling system introduced in Cinema 4D R20 also gets an update, including a new curve-based UI to define the thickness of a spline-based volume at every point along that spline. There are also some nice small workflow improvements, such as the option to copy and paste components, including both points and polygons. The ongoing work updating Cinema 4D’s core architecture continues, with a “dramatic” – if unquantified – speed boost for the latest commands to be ported to the new modelling core, including Extrude and Split. Maxon’s marketing material pitches it primarily as a toolset for 3D typography, but it can be used with a wide range of other models, as the video above demonstrates. The form of the bevel may be selected from presets, controlled parametrically, or by editing a profile graph.Ĭaps and bevels are created as a single object, with additional selections sets for shells and edges and there is the option to link the start and end caps on a spline. New modelling features in Cinema 4D R21 include Caps and Bevels, a self-descriptive new system for adding user-customisable caps and bevels to spline objects. Modelling: new Caps and Bevels system, more updates to the core architecture and volume tools The release, which is being demoed at Siggraph 2019, will also scrap the four lower-end editions of the software and introduce unified product pricing, including new subscription plans. Maxon has unveiled Cinema 4D R21, the new version of its 3D animation software, adding a new Caps and Bevels system, a Field Force object for motion graphics, and better support for Mixamo animations. Scroll down for news of the commercial release. Cinema 4D R21 demo image created by Zigor Zamaniego. Thinking Jim's actions are part of Gord's pitch, Davidson greenlights Zebras in America and gives Gord a million-dollar check. While Gord is pitching the show to Davidson, Jim bursts in and trashes Davidson's office. Jim follows him there after threatening Darren into revealing where he had gone. He returns to Hollywood with a concept based on his relationship with his father: an animated series called Zebras in America. Affected by Jim's words, Gord decides to abandon his aspirations to be a cartoonist and gets a job at a local sandwich shop.Īfter seeing a television news report on Betty's successful rocket-powered wheelchair, Gord is inspired to pursue his dreams once again. While in a drunken stupor, Jim tells Gord how much of a disappointment he is to him. The 25-year-old Freddy is sent to a home for sexually molested children while Julie, being fed up with his abusive behavior and short temper, leaves Jim and ends up dating the basketball player Shaquille O'Neal. Gord and his parents then go to a family therapy session, where Gord falsely accuses Jim of " fingering" Gord's younger brother, Freddy. Following her advice, Gord attempts to continue drawing however, he gets into an argument with Jim, who then smashes Gord's half-pipe. After a fight in the restaurant, Gord is arrested and Betty bails him out. However, Jim sees him there and disparages Betty due to her disabilities. Gord lies to his father that he has got a job in the computer industry and goes out to a restaurant with Betty, pretending he is at work. At the hospital, Gord impersonates a doctor, delivers a baby, and meets an attractive nurse named Betty, who uses a wheelchair, has an obsessive penchant for fellatio, and wants to create a rocket-powered wheelchair. Gord licks the broken bone protruding out of the wound. When Gord pressures his friend Darren into skating on a wooden half-pipe he has built outside the Brody home, Darren falls and breaks his leg. Jim constantly insults and belittles Gord following his return, telling him to forget about being an animator and "get a job". Disheartened, Gord quits his job and returns to his parents. Gord shows his drawings to Dave Davidson, the CEO of a major animation studio Davidson commends the artwork but calls the concepts depicted, including a vigilante "X-Ray Cat", nonsensical. His parents, Jim and Julie, give him a car in which he drives to Los Angeles and starts work at a cheese sandwich factory. Unemployed 28-year-old cartoonist Gordon "Gord" Brody leaves his parents' home in Portland, Oregon, to pursue his lifelong ambition of obtaining a contract for an animated television series. However, the film quickly developed a cult following after its release on home video, and has earned some critical reevaluation. It received five Golden Raspberry Awards of its eight nominations, as well as a Dallas-Fort Worth Film Critics Association Award for Worst Picture. It was also a box office disappointment, grossing only $14.3 million worldwide, slightly above its $14 million budget. Released on April 20, 2001, by 20th Century Fox, Freddy Got Fingered was critically panned at the time of its release, with many considering it as one of the worst films of all time. The title of the film refers to a plot point where Green's character falsely accuses his father of sexually abusing his brother, the eponymous Freddy. Its plot resembles Green's struggles as a young man trying to get his television series picked up, which would later become the MTV series The Tom Green Show. Green stars in the film as a childish 28-year-old slacker who wishes to become a professional cartoonist while dealing with his abusive father's behavior. So you would figure those people who go and ask for help in the actual productive forums, but no.Freddy Got Fingered is a 2001 American surreal comedy film directed by Tom Green in his feature film directorial debut and written by Green and Derek Harvie. Most of the people who contribute to General either don't contribute to anything but General or whatever it is they make is subpar. The most intellectually devoid forum on this website, filled with irrelevant topics about tablets and 'hi guise wat broser dos u use' is the forum with the most blood pumping through it. The forums that you would expect to be the most active, the Animation forum on the flash animation site or the Programming and Flash forums on a site composed of many Flash games, the Audio forum for composers and voice actors and the Collaboration forums so that people of many skillsets and such to get together and make something great, Writing for the people who can make excellent scripts for people to use and create an artistic vision, all dead.īut somehow General is always active. Forums like Animation, Art, Audio, Writing, Collaboration, Flash and Programming are dead as shit, most recent posts from hours ago, days ago even. Of course, I tried those options with a couple of other slides and it only worked half the time, so your mileage may vary. The sliders have names like "Black Point%" and "Curve Height." In order to crop an image it's not a matter of drawing a box. But when you want to do any real manipulation in VueScan, the process is clumsy at best. For that, once you figure out the sliders, VueScan is simple enough. Do you want to maximize the information in your scan or get close to a finished product? If you want to get in and get out, you manipulate the preview to bring out the most possible detail in both the highlights and shadows, in essence creating a very flat file, then bring that image into your image manipulation software of choice. Here's where you have to decide your workflow. Once the image is selected, we get to the nitty-gritty. The tradeoff, of course, is that the zoomed in image in VueScan is not very high resolution, but if you want to get in and out of the software quickly, this greatly cuts down on your time. When using Silverfast or Epson Scan, each time you zoom in on a selection the scanner will re-scan the image. A plus in VueScan's corner here is that you can zoom in on an image without the scanner making a slightly more detailed scan. Once we've previewed the whole sheet, we select a shot to zoom in on and work with. Previewing an entire sheet of film in Vuescan. More on that while we are fine-tuning our scans. There are a plethora of options under each subsection, and although some do have sliders, it's difficult to determine what does what without some experimentation. A lot of my working through VueScan has been trial and error. Unfortunately, that's about where the user friendliness ends. There are six tabs on the left moving from "Input" on the far left to "Output" and "Prefs" on the right. There are hardly any graphic elements to be found. This software, visually, seems like a flashback from the nineties. When you get into VueScan, the first thing you're going to notice is the Spartan nature of the user interface. I'll step through my own scanning workflow and we will see how VueScan helps or hinders my own efficiency. It's difficult to review a software package without comparing it to other packages that I'm familiar with, so in this review, I'll be comparing VueScan to Epson Scan, the free software that comes with any Epson scanner, and SilverFast 8.8. As long as you get the image you want, do it the way you want. There's no right or wrong here, just personal preference. For myself, I'd rather get as much as I can done in the scanning software so that my Photoshop time is limited to retouching. Your choice of software can have a lot to do with where you land on the spectrum. There are generally two schools of thought when it comes to scanning: do as much of the work as you can while scanning, or get as much information as you can out of the scan and do the rest in Photoshop and Lightroom. It's through that lens that we take a look at VueScan. Your choice of software has a lot to do with how efficient and how tolerable it will be to get your negatives into the computer. Most of us want to get in, get the best scan we can, and get out to the greener pastures of Photoshop to make our final edits. For those that choose to develop their film at home, scanning is the next step in our workflow. You could argue that outside of the moment of exposure, scanning carries the most weight in determining the quality of the final image. If you're not printing in the darkroom, it's a necessary evil when dealing with film. This new parameter is " HWiNFOLogHandler" and has the following options: You can download version 3.2 hereĪ new parameter has been added to give you control over the error reporting options introduced in v3.1. This plugin has been updated to version 3.2. Here is an example of the updated log output: Entries of type 'Warning' indicate the issue is isolated to the specific measure, and the skin should otherwise function for measures with a good configuration. In general, log entries of type 'Error' have an issue which prevents the skin from functioning entirely (for example, HWiNFO is not running). In this case it would correlate to the top line (remote host 0 is not reachable). So for example, if one of your measures is returning -9001 and you don't exactly know what that means, simply refresh the skin and look at the log. This includes when the skin is loaded, as well as when the skin is refreshed. These entries are only written when a skin is refreshed (not in real-time). You can find this information in the Rainmeter->About dialog on the log tab. Logging has been enhanced to provide more information that is more accurate. 9101 : HWI_ERROR_INVALID_SENSOR_INSTANCE 9001 : HWI_ERROR_REMOTE_HOST_NOT_CONNECTED Selecting a remote machine will provide the id you need to provide to this parameter to query that specific machine. This application has been updated to include a dropdown of remote machines configured in HWiNFO during the previous step. Then we can specify which remote machine to connect to by running the included HWiNFOSharedMemoryViewer.exe file. The sample skin above shows 3 graphs (CPU and dual GPUs) from the local machine, as well as CPU & GPU from two other PCs on the LAN using the new remote monitoring feature.įirst, you must configure additional machines to monitor in the HWiNFO settings. If you do not provide this parameter, the skin will continue to return the values from the local machine. To do so, you will use the optional HWiNFOHostId parameter. In addition, version 3 now includes the ability to add monitoring of remote systems into your Rainmeter skins. Please read the instructions for creating measures in this post: Then replace the IDs with the matching IDs for your hardware. The IDs can be updated in the skin by editing the file using a text editor. It is possible the values on your PC do not match the ones in the skin. If you will continue to use the included skin (or create one based on this), then you must check the measure IDs included with the skin against the IDs for your hardware. It is included simply to demonstrate how to use this plugin. Please Note: This included skin does not demonstrate the full capabilities of HWiNFO and this plugin. You should be presented with the following: To install the skin, simply run the downloaded. To use this plugin, you need to ensure HWiNFO's sensors are running and "Shared Memory Support" is enabled in the HWiNFO settings.
To further refine the matte, use the following controls:įill Holes: Increasing this parameter value adds solidity to regions of marginal transparency within a key. Original: Shows the original, unkeyed foreground image. Viewing the matte makes it easier to spot unwanted holes in the key or areas that aren’t transparent enough. White areas are solid (the foreground video is opaque), black areas are transparent (the foreground is not seen at all), and shades of gray indicate varying levels of transparency (the background video can be seen mixed with the foreground video). Matte: Shows the grayscale matte, or alpha channel, that’s being generated by the keying operation. To help fine-tune the key, use the View options:Ĭomposite: Shows the final composited image, with the keyed foreground subject over the background clip. The Strength parameter is useful for retrieving areas of semitransparent detail such as hair, smoke, or reflections. Increasing the Strength value expands the range of color sampled, resulting in more transparency in the keyed image. Reducing this value narrows the range of color sampled, resulting in less transparency in the keyed image. Select Composite (the left button) in the View area to see the foreground clip combined with the background clip.Īdjust how strongly the Keyer matches a color in the foreground image to the default chroma key color: Use the Strength slider to adjust the tolerance (core transparency) of the Keyer effect’s automatic sampling. Then use Sample Color to choose the color to remove. Make an Edges adjustment: Draw a line while holding down the Command key.ĭelete a Sample Color or Edges adjustment: Click a Sample Color rectangle or Edges line while holding down the Option key, or select the control and press the Delete key.Ĭhoose a different color if the Keyer effect chose the wrong color: Set the Strength parameter to 0% (to override the automatic initial color sampling). Make a Sample Color adjustment: Draw a rectangle while holding down the Shift key. You can use the following keyboard shortcuts to work directly in the viewer: Refine any difficult areas, such as hair and reflections: Click the Edges thumbnail image in the Video inspector, draw a line across the difficult area in the viewer (with one end in the area to keep and the other in the area to remove), and drag the line’s handle to adjust the edge softness. This can make it much easier to see areas that are not keying well. Please read Apple’s Unsolicited Idea Submission Policy before you send us your feedback.Tip: Select Matte (the center button) in the View area in the Video inspector to see the matte that the chroma keyer is creating.
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